Decorative Arts
98 items found
[Anonymous]
Die elegante Stickerin oder Pracht-Muster im neuesten Modegeschmack zum Sticken und Weissnähen nebst dem vollständigen Alphabet in lateinischer und gothischer Schrift, und einer Anweisung, wie eine Stickerin, ohne zeichnen zu können, sich selbst jedes Muster ab - und aufzeichnen und fortführen kann. Ein Geschenk für das schöne Geschlecht.
Meissen, F. W. Goedsche, no date, but circa 1820. 8vo. 4 pp. instruction leaf; 13 leaves with floral patterns (four double-sized). In original marbled paper covered slipcase (22.2 x 13.2 cm) with mounted pictorial title leaf.
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[Anonymous architect]
Farbige Räume und Bauten. [German Art Deco interior designs]. [AND] Farben für Mappe "Farbige Räume u. Bauten".
Stuttgart, G. Siegle, ca. 1929. Oblong folio (25.0 x 35.0 cm). 30 plates, numbered 1-30, each with one to three interior designs printed in colour, including silver and gilt. [AND] Very small oblong folio (8.1 x 14.0 cm). Title leaf, explanatory leaf; leaf with Schwarz- und Weißabmischungen (colour mixes), and 61 sheets of various lengths, each in a in different colour forming a complete spectrum.
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Brongniart, A.
Traité des arts céramiques ou des poteries, considérées dans leur histoire, leur pratique et leur théorie.
Paris, Béchet Jeune et Mathias, 1844. In three parts. 8vo (two text volumes, 20.7 x 13.5 cm), oblong 4to (atlas, 27.2 x 21.0 cm). xxvii, 592, 706 pp.; one engraved map, one engraved vignette facing preface, 109 woodcuts and oblong atlas with nine tables (three folded, pp. 1-29) and "explication des planches" (pp. 33-80) including an important list of porcelain signatures from all over Europe and 60 fine engraved plates. Contemporary uniform half calf over marbled boards. Spines with gilt lines and title. Marbled flyleaves.
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Capitani, F. di
Francesco di Capitani. [Manuscript design examples].
Roma, di Capitani, [ca. 1935]. Large, oblong cardboard binder with two metal pins. Folio (36.5 x 53.5 cm). 64 leaves with original drawings, of which 61 in full colour (crayon). Black morocco boards with embossed title and patterned pastedowns. Stiff brown endpapers.
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Clouzot, H.
Cuirs décorés. I. Cuirs exotiques. Quarant-deux planches accompagnées d'une préface et d'une table descriptive. II. "Cuirs de Courdoue". Quarant-huit planches accompagnées d'une préface et d'un table descriptive. [Complete].
Paris, Librairie des Arts Décoratifs A. Calavas, [1925]. 90 loose-leaf plates [42; 48], of which 12 in full colour [6; 6]. Original uniform portfolios with gilt title on the front (top) boards.
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Diebener, W. (ed.)
Monograms and decorations intended for the use of engravers in precious metals watches and kindred trades. Invented and designed by: Ewald Menzel, Berlin - Gustav Gessner, Glashütte - Richard Langner, München - Georg Wastian, Dresden. First and second editions.
Leipzig, Wilhelm Diebener, 1902. Large 4to (30.8 x 23.6 cm). Title in red and black; 12 pp.; 101 chromolithographed plates [numbered 1-78, Anhang 1-22, 14A]. Original olive buckram with gilt title on the spine and gilt title and monogram on the front board. Bevelled edges. Jugendstil-patterned endpapers.
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Driessen, A. [Jan Sluyters]
Bonbondoos. [Candy Box].
[Rotterdam], A. Driessen, ca. 1910. Cardboard box with lid (27.8 x 20.5 x 4.5 cm). Gilt edges, marbled sides; original chromolithograph after a gouache and colour crayon drawing mounted on front (top) board. Round, gilt vignette pasted on rear (bottom) board.
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Fraipont, G.
Pages d'albums. La flore des artistes. Études d'après nature. Vingt planches en couleurs.
Paris, Librairie Renouard (Henri Laurens, éditeur), [ND; ca. 1890-1895]. Folio (40.0 x 30.0 cm). Title page, index; twenty finely chromolithographed plates. Half cloth portfolio. Front board with embossed title and vignette, and mounted chromolithographed illustration.
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Grasset, E.
Méthode de composition ornementale. Tome premier. Éléments rectilignes. Tome second. Éléments courbes. [Complete].
Paris, Librairie Centrale des Beaux-Arts, [1905]. Two parts in two (31.6 x 24.0 cm). 900 pp. [384; xx, 496]; 12 full colour plates [1-8; 9-12]; numerous text illustrations, many pictorial headpieces and woodcut capitals. Uniform grey, green-printed cloth. Boards with bevelled edges. Greyish-blue endpapers. Top edge red.
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Hoefnagel, G.
Archetypa studiaque patris Georgii Hoefnagelii Iacobus F. genio duce ab ipso scalpta, omnibus philomusis amica D: ac perbenique communicat. I. Chr. Weigel excudit. [Complete with all titles and plates].
"Frankfurt am Main, J. Hoefnagel, 1592" [But Nuremberg, Paulus Fürst, shortly after 1638]. Oblong folio (extremely wide-margined copy, 29.5 x 37.0 cm). Engraved titles to the four parts. 48 engraved plates. Pars Prima, Plates 1-12; Pars Secunda, Plates 1-12; Pars Tertia, Plates 1-12, Pars Quatra, Plates 1-12. [Complete]. Period style full burgundy morocco. Spine with five raised, gilt-ornamented bands; compartments rich gilt with floral borders and floral vignettes; red morocco label with gilt title; boards with broad, gilt-rolled borders, gilt corner-pieces; tripple gilt-lined inner borders and floral corner-pieces. Gilt-rolled edges and inner dentelles.
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Hoefnagel, G.
Archetypa studiaque patris Georgii Hoefnagelii Iacobus F. genio duce ab ipso scalpta, omnibus philomusis amica D: ac perbenique communicat. I. Chr. Weigel excudit. Plate 2.2.
Frankfurt am Main, 1592. Small oblong folio (18.0 x 27.0 cm). Single plate, finely and beautifully hand-coloured.
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Hoefnagel, G.
Archetypa studiaque patris Georgii Hoefnagelii Iacobus F. genio duce ab ipso scalpta, omnibus philomusis amica D: ac perbenique communicat. I. Chr. Weigel excudit. Plate 3.3.
Frankfurt am Main, 1592. Small oblong folio (18.0 x 27.0 cm). Single plate, finely and beautifully hand-coloured.
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Hoefnagel, G.
Archetypa studiaque patris Georgii Hoefnagelii Iacobus F. genio duce ab ipso scalpta, omnibus philomusis amica D: ac perbenique communicat. I. Chr. Weigel excudit. Plate 4.3.
Frankfurt am Main, 1592. Small oblong folio (18.0 x 27.0 cm). Single plate, finely and beautifully hand-coloured.
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